Südwestpresse · June 2019 · WenzlerSong recital with works by women composers

„She interpreted the many emotional moments convincingly, authentically and with assured intensity.“

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Wochenblatt · April 2019St John Passion by J. S. Bach at the Herz-Jesu church in SingenBildergalerieIn the web archive
Schwäbische · 29 January 2019 · DappConcert in the clinic chapel: from almost operatic to sensitively restrained

„Florence Awotula sang with a warm, expressive voice across a wide range – at times powerful, almost operatic, at times sensitively restrained. She did masterful justice to the character of each song.“

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Schwarzwälder Bote · 11 August 2018InterviewVillingenAs PDF
Schwarzwälder Bote · 2 July 2018 · Siegfried KoubaAudience witnesses a world premiereBenefizkonzert des Villinger Barockensembles, St. Ursula-Kapelle

„The mezzo-soprano Florence Awotula shows a gratifying development, with a voluminous sound and a wide range of intervals.“

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Schwarzwälder Bote · 19 June 2018 · Siegfried KoubaA musical birthday celebrationJubiläumskonzert 50 Jahre Bach-Chor Schwenningen, Johanneskirche

„Florence Awotula sang „O magnum mysterium“ with deep feeling and artistry, letting a radiant soprano and a full mezzo be heard.“

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Online Merker · 16 February 2018Workshop concert of the Stuttgart master classes for vocal art and new music theatreMusikhochschule Stuttgart

„Vivienne Olive’s „Whispers of heavenly death“ was performed with Florence Awotula, who likewise conjured up enormous intervallic tension.“

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Schwarzwälder Bote · 8 May 2017 · Siegfried KoubaModern and accessible sacred musicKonzert „Chor und Klavier“, Johanneskirche Schwenningen

„The soprano Florence Awotula was balm itself in the aria „Schafe können sicher weiden“ from Bach’s Hunting Cantata.“

As PDF In the web archive